q)Please introduce yourself.
a)We are 42-year-old Kommissar Hjuler and 28-year-old Mama Baer, also known as
Kommissar Hjuler und Frau. My "name" normally is Papa Baer, but for my first
releases I have taken the name Kommissar Hjuler and have hold it. We call erach
other mama baer and papa baer (mama bear + papa bear), we both do not like our
names, therefor wanted to change our names into Papa Baer Hjuler and Mama Baer
Hjuler, but the community of Flensburg does not allow us to take names like
papa baer or mama baer. We are used to these names, most of the people around
accepted papa baer and mama baer as names, our two children Cy Hjuler (8) and
Faust Adolf Hjuler (3) do only know us as papa baer and mama baer (!), this is
true.
q) Where do you live and work?
to Denmark, but concerts and exhibitions have been at several places in Europe,
also Africa, Australia, USA.
q) How would you describe your work to someone who has never seen it?
certain point, that no music could please me, I was looking out to stranger
music. At that time I met Jan Iwers /No One and we made some recordings
together, also a Double LP under group name TUULEN LAULU, mama baer gave her
voice to some tracks, but she was not really envolved. I soon started to make
my own music,with the aim, to make non-listenable sounds, not harmonic, not
easy to listen to, just to go one step further from what I was collecting.
Mama BAer saw me working, wiothout big knowledge about experimental music, and
just started making music too. We made recordings together and recordings for
us alone. And up to now we made more than 200 different recordings, mostgly
released on our label in very small editions as handcut vinyl (acetate), tape
or CD-R. I often made very intersting covers and a curator of a museum became
aware of my cover art and has chosen us for his exhibition on theme vinyl, then
the museum made a LP by us for the exhibition, and our covers were shown side
to side with Warhol and Beuys. Today a lot of our small releases has becoe
reissued as CD or LP in larger editions, on 16th September the Label Psych.KG
starts a series of split-LPs by us, and every 40 days shall appear the next LP
in this series, we present one side for each LP, also the cover art, and now
have fixed the first 17 partners for this series, now enduring until 2012,
every 40 days the next LP, such a contract has never been seen before, only the
Psychick TV series of live recordings for one year, but I guess, this
Split-LP-series will endure and will not stop with no. 17. We have enough music
to let it go ten years. And a lot of LPs appear beside this series, a LP on
male bonding is just available, a split with Dissecting TAble is available, a
LP with Asmus Tietchens is in preparation for
preparation for beginning of November 2009, and three or four LPs on Feeding
Tube Rec. are in preparation, the first one will be available this month.
q) How did you start in the arts? How/when did you realize you were an artist?
idea of having painting by other people in our flat, my cover art has become
more and more sculpture or assemblage and at a certain point, there was n o
longer music involved, it was only art, no longer cover for releases, mama baer
realized her talent in painting and got help from some painters to develop her
style. In
interview, also was recommending our art to their audience. We have had our
first exhibitions at that time, some exhibitions followed, and today we have
been playing live at places like Mary Bauermeister, the wife of Karlkheinz
Stockhausen, a wellknow artist, friend of Jean Tinguely, Nikki de St. Phalle,
Robert Rauschenberg, Jasper Johns, Christo, ..., a place where John Cage, David
Tudor and Nam June Paik have played before. Or we will play at
Festival Colour out of Space in November, one of the biggest festivals for
experimental music in the world.
q) What are your favorite art materials and why?
ego for mankind with their own religion, rituals, society, wars (fighting
against cunt cat), ..., also use a lot of found objects and used condoms, for
objects are a part of me then , by half my children. Moreover I use wood and
destroyed puppets.
Mama Baer uses chalk and acryl on paper or canvas mostly
q) What/who influences you most?
work we did not really like, we wanted to create "better" work, as in the
music, I wanted to make more experimental music as the music I knew, and I made
more experimental music, I am supposed, same for art, I like Hans Bellmer, but
his puppets do look to much like a puppet to me, I wanted to make more surreal
puppets, I like Dieter Roth, Edward Kienholz, Jonathan Meese, Adolf Wölfli, Cy
Twombly but they were not weird enough to me, I wanted to make a crank version,
to go any further. People often state, that I am too pornografic, well, I hope,
I am, this is a step further, they all try to touch these themes smooth enough
not to discredit themselves, I think pornography is part of life and can be
part of art. And I am not the first one thinking this way.
q) Describe a typical day of art making for you.
outskirts of Flensburg, in a small house, a strange house for the neighbours,
for there are objects around, the house is painted in green, very green,
anyway, we love it. I work as police officer, early/late/night-shifts, my wife
does not work. And we spent every free minute for art, painting, building
objects and/or making music.
q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?
day, to become member of the artists society of our country, this has been
possible for other non-studied artists before, and I hope we both can achieve
it one day.
only artist, who made a work, I could not make better, if I see - for instance
-a performance by Paul McCarthy, I state, that the same performance would be
more intense and much weirder, if I would have done it, but Beuys was perfect,
I could not be better.
q) How long does it typically take you to finish a piece?
or music in mind for months, that I did not start the work on by now, a short
film on a sausager, that get bound, tortured and cooked (cook=Kochen : BTK), or
a puppet bearing a piece of chocolate, ...
q) Do you enjoy selling your pieces, or are you emotionally attached to them?
anything, but we are to, oitherwise galleries would not be interested into us,
anyway, everything is for sale, allthough we do not like the idea, most of my
work are my children, all our works is surrounding us in our house all day,
pour house looks like a giant museum of dada/art brut. But selling things gives
us opportunity to create new things.
q) Is music important to you? If so, what are some things you're listening to now?
sound, industrial, free jazz, improvisation, musical theatre, abstract
electronics, musique conrete, collage, ...), but I do no longer listen to all
this music, I am nearly only listening to my own music today, therefor I made
it, the music of my collection just marks a point in my own development, the
collection is what was before, the start of Kommissar Hjuler and mama baer.
This does not mean, that I do not listen to some music, I still like music like
Kagel, Hespos, Nurse With Wound, Cureent 93, Ghedalie Tazartes, but today I
know most of these musicians and they all lost their "flair". my first
experimental music ever was by Lt. Caramel, when I was 16 or 17 years old, I
was at
Ultra and Lt. Caramel. Today I know Ultra and Steven Stapleton, have worked
together with Lt. Caramel, the flair of these untouchable colectable items is
gone. And my music goes any further.
q) Books?
recordngs, also of some dada poems, like Hugo Ball, and I love absurde and very
abstract stories, like Kafka.
q) What theories or beliefs do you have regarding creativity or the creative process?
focus, and I have leárned by now how to use this creativity.
q) What do you do (or what do you enjoy doing) when you're not creating?
children at a forrest muist turn out into collecting wood for the next work,
and each new sound I listen to expects me to make music. In a way, I am not
non-creative.
q) Do you have any projects or shows coming up that you are particularly excited about?
else, we simply do not find the time, all free time is spent into our own
development, to become better and better each day. When we find time to visit
an exhibition, for instance, we nearly run through the rooms, catching views
and feelings, and mostly we do not like, what we see, simply become aware, of
what could have been better.
q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?
other artists, we simply try not to copy, just to create new art by having seen
influencable art.
q) Ask yourself a question you'd like to answer, and answer it.
questions with my work, no answers given, just questions, Brotkatze has no
answeres, Votzekatze can be the aggressor in the war, but also Brotkatze can be
the aggressor, it is up to the audience.
q) Any advice for aspiring artists?
now, so why should I give advices, I am at the very point of strating my
artists career. I am in need of help and love by others.
q) Where can we see more of your work online?
by links to all places Kommissar Hjuler and Mama Baer have insulted by
appearance in the world wide web.
