mercoledì 23 settembre 2009

Interview with Baysan Yuksel





q)Please introduce yourself.


a)Hi, I’m Baysan Yuksel. I am an artist and illustrator based in İstanbul, Turkey


q)Where do you live and work?


a)I live and work in Turkey (but I travel a lot). And most of the time I live and work at home.


q)How would you describe your work to someone who has never seen it?


a)I’m not sure but I think I can describe it as drawings about many things in life and those drawings mainly focuses on personal interpretations of this life with some delusions of impossible creatures.


q)How did you start in the arts? How/when did you realize you were an artist?


a)I started art at a very young age but it took time to discover the right medium.


q)What are your favorite art materials and why?


a)Many many things I guess. I use everything except oil paints. But mostly I like drawing on papers, I also use painting materials since I do some painting as well. Pens, pencils, ink, crayons, acrylics, tempera, watercolors, glue, junk papers, scissors, spray paints, coffee, tea… I really don’t have any special and favorite material. I use them all. I don’t use oil paints because they don’t dry easily and I usually don’t have the temper to wait.


q)What/who influences you most?


a)Well, other people’s trash mostly influences me. From time to time I go to junk sales and flee markets to find stuffs that were once belong to some other people. Some interesting stuff comes out from those places. I like creating an imaginary life through those belongings of other people and this leads me to create something. And I feed myself with the uncertainties of everyday life. Also children’s drawings influence me the most.


q)Describe a typical day of art making for you.


a)I would woke up, think about my dream lying on the bad for another half an hour, than I really woke up, make myself a cup of coffee, than I would go downstairs to my studio, than I would sit down and start to work, than later I would probably forgot to eat something while working and got out of the studio at a very late hour starving.


q)Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a)Similar to most artists wants I guess. And also one other thing: one day I want to have a huge house to live in and to design it as a museum.


q)What contemporary artists or developments in art interest you?


a)I’m mostly interested in contemporary illustration and/or contemporary drawing. Nowadays I find Jockum Nordström’s work very inspiring.


q)How long does it typically take you to finish a piece?


a)It changes up to 5 minutes to a year. But I try to finish a piece on the same day. When I don’t finish the piece on the same day, it took me to finish it up to one year.


q)Do you enjoy selling your pieces, or are you emotionally attached to them?


a)I can’t say I enjoy selling my work, but I do sell. I am emotionally attached to some works which I don’t think I would ever sell.


q)Is music important to you? If so, what are some things you're listening to now?


a)Music is really important to me but for some time something has happened to me that I can’t listen to music. I became sensitive to sound. I can’t listen to music because when I listen to music I became obsessed with a sound from the song, than I can’t concentrate on anything else. So I started to listen to foreign movies (the ones I am not familiar with their language) lately as a background music. When someone else is talking in some other language I can’t understand it relaxes me especially when I’m working. So lately I’ve been listening to Swedish movies.


q)Books?


a)I read books, yes. I read any kind of fiction and some non-fiction about science; I still enjoy reading children’s books, collecting zines and picture books. But my interest is mostly on science fiction and fantasy fiction. Some of my favorite writers are Philip K. Dick, Ursula Leguin, Douglas Adams, Neil Gaiman, Roald Dahl, Michael Ende and so the list goes on. Right now I’m reading Inkheart by Cornelia Funke.


q)What theories or beliefs do you have regarding creativity or the creative process?


a)Just create that’s enough when you believe it.


q)What do you do (or what do you enjoy doing) when you're not creating?


a)Reading, writing, internet, movies(watching movies, talking about movies, making movies, long discussions about movies or long discussions about making movies), sound editing, coloring coloring books, spending time with children, being a child, talking boringly about as if theories, dreaming, talking about dreams, writing dreams, talking over and over about projects that would take a lot of time to come true, wandering around. Also I like traveling.


q)Do you have any projects or shows coming up that you are particularly excited about?


a)I put all the news about upcoming shows to my blog here: http://bayananderson.wordpress.com/ And about projects I’ve got hell a lot of them. I’m particularly excited about all of them. But too soon to tell, before I complete any of them.


q)Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a)I don’t follow particularly any contemporary art scene. However sooner or later I come across to this contemporary art scene so I know about it.


q)Ask yourself a question you'd like to answer, and answer it.


a)How old are you and when are you going to make your own money?

I’m 25 and God knows when.


q)Any advice for aspiring artists?


a)Well it may seem like a cliché advice but never give up and work hard. Sorry for that!


q)Where can we see more of your work online?


a) http://www.bayananderson.com/

http://bayananderson.wordpress.com/

http://www.society6.com/baysanyuksel/

venerdì 11 settembre 2009

Interview with Signý Kolbeinsdóttir





q)Please introduce yourself.

a)My name is Signý Kolbeinsdóttir

q) Where do you live and work?

a)I live and work in Reykjavik, Iceland

q) How would you describe your work to someone who has never seen it?

a)Round, colorful, cute, surreal, japanese manga and fairy tail style illustrations with a darker side.


q) How did you start in the arts? How/when did you realize you were an artist?

a)I always new I would work in this area. My mother is an artist and she had a huge influence on me.

q) What are your favorite art materials and why?

a)it depends on what I´m doing at the time.

I use a pen and paper alot and also my computer off course.

q) What/who influences you most?

a)Nature, food, colors, other great artists and illustrators....



q) Describe a typical day of art making for you.

a)I go to my studio around 9 in the morning with a short stop at a coffeehouse to get a take away latte and I work until 4 pm with a lunch brake.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?

a)I want to be able to live of my work, my own design and creation



q) What contemporary artists or developments in art interest you?

a)Takashi Murakami, Jeff Koons, Matthew Barney, The Chapman Brothers, Nagi Noda...Hello Kitty?....and more


q) How long does it typically take you to finish a piece?

a)it varies...

q) Do you enjoy selling your pieces, or are you emotionally attached to them?

a)Yes I enjoy it very much. I´m very happy if other people like my work.

q) Is music important to you? If so, what are some things you're listening to now?

a)Sure , these days I´m listening to Bat for Lashes, Gus Gus, Michael Jackson, Kate Bush....

q) Books?

a)Right now I´m reading The Girl with the dragon tattoo by Stieg Larsson.

q) What theories or beliefs do you have regarding creativity or the creative process?

a)work work work...don´t give up


q) What do you do (or what do you enjoy doing) when you're not creating?

a)Spending time with my family

q) Do you have any projects or shows coming up that you are particularly excited about?

a)I´m going to decorate one of the coolest shoe stores in Reykjavik and I´m doing some vinyl wall stickers and wallpaper soon.

q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?

a)I subscribe to Computer Arts Projects which I like very much.


q) Any advice for aspiring artists?

a).....think positive and be yourself.

q) Where can we see more of your work online?

a)www.signy.net

mercoledì 9 settembre 2009

interview with Kommissar Hjuler and Mama Baer





q)Please introduce yourself.


a)We are 42-year-old Kommissar Hjuler and 28-year-old Mama Baer, also known as
Kommissar Hjuler und Frau. My "name" normally is Papa Baer, but for my first
releases I have taken the name Kommissar Hjuler and have hold it. We call erach
other mama baer and papa baer (mama bear + papa bear), we both do not like our
names, therefor wanted to change our names into Papa Baer Hjuler and Mama Baer
Hjuler, but the community of Flensburg does not allow us to take names like
papa baer or mama baer. We are used to these names, most of the people around
accepted papa baer and mama baer as names, our two children Cy Hjuler (8) and
Faust Adolf Hjuler (3) do only know us as papa baer and mama baer (!), this is
true.


q) Where do you live and work?


a)We live and work at Flensburg, the very north of Germany, directly at the border

to Denmark, but concerts and exhibitions have been at several places in Europe,
also Africa, Australia, USA.


q) How would you describe your work to someone who has never seen it?

a)We started as musicians in 1999, no aim to make any art, simply weird music. I was a collector of any art of experimental music and in 1999 I came to a

certain point, that no music could please me, I was looking out to stranger
music. At that time I met Jan Iwers /No One and we made some recordings
together, also a Double LP under group name TUULEN LAULU, mama baer gave her
voice to some tracks, but she was not really envolved. I soon started to make
my own music,with the aim, to make non-listenable sounds, not harmonic, not
easy to listen to, just to go one step further from what I was collecting.
Mama BAer saw me working, wiothout big knowledge about experimental music, and
just started making music too. We made recordings together and recordings for
us alone. And up to now we made more than 200 different recordings, mostgly
released on our label in very small editions as handcut vinyl (acetate), tape
or CD-R. I often made very intersting covers and a curator of a museum became
aware of my cover art and has chosen us for his exhibition on theme vinyl, then
the museum made a LP by us for the exhibition, and our covers were shown side
to side with Warhol and Beuys. Today a lot of our small releases has becoe
reissued as CD or LP in larger editions, on 16th September the Label Psych.KG
starts a series of split-LPs by us, and every 40 days shall appear the next LP
in this series, we present one side for each LP, also the cover art, and now
have fixed the first 17 partners for this series, now enduring until 2012,
every 40 days the next LP, such a contract has never been seen before, only the
Psychick TV series of live recordings for one year, but I guess, this
Split-LP-series will endure and will not stop with no. 17. We have enough music
to let it go ten years. And a lot of LPs appear beside this series, a LP on
male bonding is just available, a split with Dissecting TAble is available, a
LP with Asmus Tietchens is in preparation for
2010, a Lp at Nihilist Rec. is in
preparation for beginning of November 2009, and three or four LPs on Feeding
Tube Rec. are in preparation, the first one will be available this month.

q) How did you start in the arts? How/when did you realize you were an artist?

a)We made cover art and mama baer started painting, just for she did not like the

idea of having painting by other people in our flat, my cover art has become
more and more sculpture or assemblage and at a certain point, there was n o
longer music involved, it was only art, no longer cover for releases, mama baer
realized her talent in painting and got help from some painters to develop her
style. In
2008 a big german art magazinbe became aware of us and published an
interview, also was recommending our art to their audience. We have had our
first exhibitions at that time, some exhibitions followed, and today we have
been playing live at places like Mary Bauermeister, the wife of Karlkheinz
Stockhausen, a wellknow artist, friend of Jean Tinguely, Nikki de St. Phalle,
Robert Rauschenberg, Jasper Johns, Christo, ..., a place where John Cage, David
Tudor and Nam June Paik have played before. Or we will play at
Brighton
Festival Colour out of Space in November, one of the biggest festivals for
experimental music in the world.

q) What are your favorite art materials and why?

a)I work with living material like bred, very famous are my bred cats, an alter

ego for mankind with their own religion, rituals, society, wars (fighting
against cunt cat), ..., also use a lot of found objects and used condoms, for
objects are a part of me then , by half my children. Moreover I use wood and
destroyed puppets.
Mama Baer uses chalk and acryl on paper or canvas mostly


q) What/who influences you most?

a)There are a lot of artists we both like, but the influence was more by their

work we did not really like, we wanted to create "better" work, as in the
music, I wanted to make more experimental music as the music I knew, and I made
more experimental music, I am supposed, same for art, I like Hans Bellmer, but
his puppets do look to much like a puppet to me, I wanted to make more surreal
puppets, I like Dieter Roth, Edward Kienholz, Jonathan Meese, Adolf Wölfli, Cy
Twombly but they were not weird enough to me, I wanted to make a crank version,
to go any further. People often state, that I am too pornografic, well, I hope,
I am, this is a step further, they all try to touch these themes smooth enough
not to discredit themselves, I think pornography is part of life and can be
part of art. And I am not the first one thinking this way.


q) Describe a typical day of art making for you.

a)We make art the complete day, we have two little children, were living at the

outskirts of Flensburg, in a small house, a strange house for the neighbours,
for there are objects around, the house is painted in green, very green,
anyway, we love it. I work as police officer, early/late/night-shifts, my wife
does not work. And we spent every free minute for art, painting, building
objects and/or making music.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?

a)We are non studied artists and we want to become accepted by artists council one

day, to become member of the artists society of our country, this has been
possible for other non-studied artists before, and I hope we both can achieve
it one day.

q) What contemporary artists or developments in art interest you?



a)Fluxus, dada, Art Brut. Joseph beuys is one of my favourite artists, he is the

only artist, who made a work, I could not make better, if I see - for instance
-a performance by Paul McCarthy, I state, that the same performance would be
more intense and much weirder, if I would have done it, but Beuys was perfect,
I could not be better.


q) How long does it typically take you to finish a piece?

a)From ten minutes to five months, it is very different, and I have some objects

or music in mind for months, that I did not start the work on by now, a short
film on a sausager, that get bound, tortured and cooked (cook=Kochen : BTK), or
a puppet bearing a piece of chocolate, ...


q) Do you enjoy selling your pieces, or are you emotionally attached to them?

a)I like the idea of having all my work around me, we would prefer,. not to sell

anything, but we are to, oitherwise galleries would not be interested into us,
anyway, everything is for sale, allthough we do not like the idea, most of my
work are my children, all our works is surrounding us in our house all day,
pour house looks like a giant museum of dada/art brut. But selling things gives
us opportunity to create new things.


q) Is music important to you? If so, what are some things you're listening to now?

a)I own one of the biggest collections of experimental music (20th century, text

sound, industrial, free jazz, improvisation, musical theatre, abstract
electronics, musique conrete, collage, ...), but I do no longer listen to all
this music, I am nearly only listening to my own music today, therefor I made
it, the music of my collection just marks a point in my own development, the
collection is what was before, the start of Kommissar Hjuler and mama baer.
This does not mean, that I do not listen to some music, I still like music like
Kagel, Hespos, Nurse With Wound, Cureent 93, Ghedalie Tazartes, but today I
know most of these musicians and they all lost their "flair". my first
experimental music ever was by Lt. Caramel, when I was 16 or 17 years old, I
was at
hamburg, found four experimental LPs by Nurse With Wound, Etant Donnes,
Ultra and Lt. Caramel. Today I know Ultra and Steven Stapleton, have worked
together with Lt. Caramel, the flair of these untouchable colectable items is
gone. And my music goes any further.


q) Books?

a)I am a big fan of poems by Georg Trakl and Walter von der Vogelweide, made some

recordngs, also of some dada poems, like Hugo Ball, and I love absurde and very
abstract stories, like Kafka.


q) What theories or beliefs do you have regarding creativity or the creative process?

a)We live creativity, I have been creative my whole life, but not with a certain

focus, and I have leárned by now how to use this creativity.


q) What do you do (or what do you enjoy doing) when you're not creating?

a)It is only few time, that I am not creating, some time spending with the

children at a forrest muist turn out into collecting wood for the next work,
and each new sound I listen to expects me to make music. In a way, I am not
non-creative.


q) Do you have any projects or shows coming up that you are particularly excited about?

a)Me and my wife work that much, that we are no longer interested into anything

else, we simply do not find the time, all free time is spent into our own
development, to become better and better each day. When we find time to visit
an exhibition, for instance, we nearly run through the rooms, catching views
and feelings, and mostly we do not like, what we see, simply become aware, of
what could have been better.


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a)We do not have the time, as mentioned, to think a lot about hte art and music of

other artists, we simply try not to copy, just to create new art by having seen
influencable art.


q) Ask yourself a question you'd like to answer, and answer it.



a)Why should I run around with questions I need to answere, I am trying to give

questions with my work, no answers given, just questions, Brotkatze has no
answeres, Votzekatze can be the aggressor in the war, but also Brotkatze can be
the aggressor, it is up to the audience.


q) Any advice for aspiring artists?

a)I am happy about any advices, I am only working as an artist for three years

now, so why should I give advices, I am at the very point of strating my
artists career. I am in need of help and love by others.


q) Where can we see more of your work online?

a)Our website www.asylum-lunaticum.de gives you lots of information and leads you

by links to all places Kommissar Hjuler and Mama Baer have insulted by
appearance in the world wide web.